Necesito traduccion!
Hola! Necesito traducir un texto en ingles. Soy cinefila y estoy haciendo un estudio sobre "Avatar". Lo que pasa es que de ingles voy algo floja... He encontrado un texto y me gustaria entenderlo, pero con los traductores on-line no me acaba de gustar y no tiene sentido. Ojala me pudieras ayudar. Te lo agradeceria mucho!
Te escribo el texto:
"Oscar can relax. The epic crowd-pleaser the Academy lusted for is here, the one to show that the geezer voters are hip to what the kids want (3-D IMAX) and what the industry needs (the kind of wowser you'll pay to see on a big screen). James Cameron's tone-deaf but thunderously exciting Avatar, costing a record $300 million, is just the thing to pump box-office blood into Oscar's idiotically expanded Best Picture category (10 nominees instead of the usual five). Nevermind my preference for the life-sized likes of Precious, The Hurt Locker, Up in the Air and An Education. They look puny next to the computerized giants at play in the fields of Lord Cameron.
Unlike hack-of-the-decade Michael Bay, who can transform anything into instant stupid, Cameron knows how to harness technology to storytelling. He's been cooking up the plot of Avatar since childhood. The basics? Humans are bad. It's 2154, and the Earth is dying. To survive we need a mineral called Unobtainium (a joke term popularized by engineers). To get it we travel to the alien moon of Pandora and abuse its natives. They are the blue-skinned, yellow-eyed, 10-foot tall Na'vi, who hug trees but hate on intrusive humans. The Na'vi are good, in similar ways to the indigenous people that America has historically exploited. If you're not thinking Native Americans, Vietnamese, Iraqis, Cameron nudges you with allusions to Dances With Wolves and the genocidal heat behind such terms as "fight terror with terror" and "shock and awe." Dialogue is not Cameron's strong suit.
From the man who turned Titanic into the fattest hit in history, there has to be a love story. And just as Leonardo DiCaprio's Jack fell for Kate Winslet's Rose, Jake Sully (Sam Worthington), a crippled ex-marine on the Pandora mission, loses his heart to Neytiri (Zoe Saldana), a Na'vi princess. How does that happen? Dr. Grace Augustine (great to see Sigourney Weaver of Cameron's iconic Aliens) and her scientific team have mixed human and Na'vi DNA to create avatars to infiltrate Pandora. Jake lies in a pod at the controls as his avatar leaps around like Watchmen's Dr. Manhattan without flaunting the giant blue penis. Props to Worthington and especially Saldana for igniting sparks, given that their scenes together are all digital (the actors wore sensors so the camera could capture their movements). How do Jake and Neytiri get it on? Oh shut up and see the damn movie because what you see is thrilling.
The computerized creation that is Pandora overflows with beauty and terror (those banshees are a wonder) that dwarves the mundane stuff where the villains, military (Stephen Lang) and corporate (Giovanni Ribisi), bluster with predictable results. The last third of the movie, a battle between the Na'vi and their human destroyers, is a groundbreaking blend of digital and live-action. OK, it's unnerving that a movie preaching peace hits its visual peak with scenes of mass destruction. But Avatar is no Hollywood wankfest. It extends the possibilities of what movies can do. Cameron's talent may just be as big as his dreams."
PETER TRAVERS
Gracias de antemano!
Te escribo el texto:
"Oscar can relax. The epic crowd-pleaser the Academy lusted for is here, the one to show that the geezer voters are hip to what the kids want (3-D IMAX) and what the industry needs (the kind of wowser you'll pay to see on a big screen). James Cameron's tone-deaf but thunderously exciting Avatar, costing a record $300 million, is just the thing to pump box-office blood into Oscar's idiotically expanded Best Picture category (10 nominees instead of the usual five). Nevermind my preference for the life-sized likes of Precious, The Hurt Locker, Up in the Air and An Education. They look puny next to the computerized giants at play in the fields of Lord Cameron.
Unlike hack-of-the-decade Michael Bay, who can transform anything into instant stupid, Cameron knows how to harness technology to storytelling. He's been cooking up the plot of Avatar since childhood. The basics? Humans are bad. It's 2154, and the Earth is dying. To survive we need a mineral called Unobtainium (a joke term popularized by engineers). To get it we travel to the alien moon of Pandora and abuse its natives. They are the blue-skinned, yellow-eyed, 10-foot tall Na'vi, who hug trees but hate on intrusive humans. The Na'vi are good, in similar ways to the indigenous people that America has historically exploited. If you're not thinking Native Americans, Vietnamese, Iraqis, Cameron nudges you with allusions to Dances With Wolves and the genocidal heat behind such terms as "fight terror with terror" and "shock and awe." Dialogue is not Cameron's strong suit.
From the man who turned Titanic into the fattest hit in history, there has to be a love story. And just as Leonardo DiCaprio's Jack fell for Kate Winslet's Rose, Jake Sully (Sam Worthington), a crippled ex-marine on the Pandora mission, loses his heart to Neytiri (Zoe Saldana), a Na'vi princess. How does that happen? Dr. Grace Augustine (great to see Sigourney Weaver of Cameron's iconic Aliens) and her scientific team have mixed human and Na'vi DNA to create avatars to infiltrate Pandora. Jake lies in a pod at the controls as his avatar leaps around like Watchmen's Dr. Manhattan without flaunting the giant blue penis. Props to Worthington and especially Saldana for igniting sparks, given that their scenes together are all digital (the actors wore sensors so the camera could capture their movements). How do Jake and Neytiri get it on? Oh shut up and see the damn movie because what you see is thrilling.
The computerized creation that is Pandora overflows with beauty and terror (those banshees are a wonder) that dwarves the mundane stuff where the villains, military (Stephen Lang) and corporate (Giovanni Ribisi), bluster with predictable results. The last third of the movie, a battle between the Na'vi and their human destroyers, is a groundbreaking blend of digital and live-action. OK, it's unnerving that a movie preaching peace hits its visual peak with scenes of mass destruction. But Avatar is no Hollywood wankfest. It extends the possibilities of what movies can do. Cameron's talent may just be as big as his dreams."
PETER TRAVERS
Gracias de antemano!
1 Respuesta
Respuesta
1
"Óscar se puede relajar. El épico 'contentador de masas' que la Academia anhelaba ya está aquí, el que demostrará que los votantes más viejos están en la onda de lo que quieren los chavales (3D IMAX) y lo que la industria necesita (el tipo de exitazo por el que pagarías por ver en la gran pantalla). El estrepitosamente emocionante Avatar de un James Cameron sin oído musical, que cuesta la cifra record de $300 millones, es justo lo que se necesita para impulsar sangre taquillera en la estúpidamente expandida categoría de los Óscar Mejor Película (10 nominados en vez de los cinco habituales). Sin tener en cuenta mis preferencias por las copias en tamaño real de Precious, The Hurt Locker, Up in the Air y An Education. Parecen enclenques al lado de los gigantes computerizados en juego en los campos de Lord Cameron. A diferencia de la pifia de la década Michael Bay, que puede transformar cualquier cosa en una instantánea estupidez, Cameron sabe como aparejar la tecnología y la narración de historias. Él ha estado amasando el argumento de Avatar desde la niñez. ¿Los básicos? Los humanos son malos. Es el año 2154, y la Tierra está muriendo. Para sobrevivir necesitamos un mineral llamado Unobtanium (un término chistoso popularizado por los ingenieros). Para obtenerlo viajamos a la luna extraterrestre Pandora y nos aprovechamos de sus nativos. Tienen la piel azul, los ojos amarillos, y con 10 pies de alto, los Na'vi, quienes abrazan árboles, pero odian a los humanos intrusos. Los Na'vi son buenos, de forma similar a los indígenas que América ha explotado históricamente. Si no piensas en nativos americanos, vietnamitas, iraquíes, Cameron te acerca a Dances with Wolves y el calor genocida tras términos como 'lucha contra el terror con terror' y 'conmoción y pavor'. El diálogo no es el fuerte de Cameron. Del hombre que transformó Titanic en el éxito más grande de la historia, tiene que haber una historia de amor. Y de la misma manera que Jack de Leonardo DiCaprio se enamoró de Rose de Kate Winslet, Jake Sully (Sam Worthington), un lisiado exmarine en la misión Pandora, se enamora locamente de Neytiri (Zoe Saldana), una princesa Na'vi. ¿Cómo sucede esto? La doctora Grace Augustine (excelente ver a Sigourney Weavr de la icónica Aliens de Cameron) y su equipo científico han mezclado ADN humano y Na'vi para crear avatares que infiltrar en Pandora. Jake está tendido en un pod (tanque) a los mandos mientras su avatar va dando saltos como el Dr. Manhattan de Watchmen sin ostentar su gran pene azul. Vítores para Worthington y especialmente Saldana por crear chispas, dado que sus escenas juntos son todas digitales (los actores llevaban sensores para que la cámara pudiera captar sus movimientos). ¿Cómo lo llevan a cabo Jake y Neytiri? Oh calla y ve la maldita película porque lo que veas será emocionante. La creación computerizada que es Pandora desborda de belleza y terror (esos banshees[1] son una maravilla) que los mundanos enanos llenan donde los villanos, militar (Stephen Lang) y corporativo (Giovanni Ribisi), fanfarronean con resultados predecibles. El último tercio de la película, una batalla entre los Na'vi y sus destructores humanos, es una mezcla innovadora de destrucción masiva. Pero Avatar no es la fiesta de las po... de Hollywood. Extiende las posibilidades de lo que las películas pueden hacer. El talento de Cameron puede ser tan grande como sus sueños".
Peter travers
[1] Hadas malignas que anuncian la muerte (N de la T)
Espero haberte ayudado. Salu2
Peter travers
[1] Hadas malignas que anuncian la muerte (N de la T)
Espero haberte ayudado. Salu2